With Nexus (from the Latin “complex system,” “connection”), Jérémy enters gym spaces to pursue his research into the anthropological impact of technology. Echoing the way machines drive bodies to their limits, he pushes photographic devices — cameras, printers, and imaging software — to their extremes in order to explore digital matter, whose disruptions open a visual dialogue between flesh and technique, strength and vulnerability. In counterpoint, a series of portraits keeps the machine outside the frame, leaving the degree of interpenetration deliberately unresolved and foregrounding the state of intense concentration reached through exertion; within a sanitized environment, it also offers an encounter with the viewer — an empathetic space in which the human confronts itself.