STATEMENT

For three autumns, from 2015 to 2017, I documented the cannabis industry in California. It was the last years before the legalization for recreational use and the regulation of a culture initiated in the late sixties by the hippies. As part of an ideology of libertarian community and the Back-to-the-land movement, the mountains offered them the means to escape consumerist logics, Vietnam, as well as the possibility of becoming self-sufficient and developing new ways to make society.In 1996, the legal uncertainty brought about by the legalization of the production of medical cannabis marked the beginning of the “Green Rush”. Many Americans moved to California to start production, which was mostly distributed illegally across the country. Little by little, by word of mouth, many young people migrate every year to serve as a workforce. Called “trimmigrants”, it is estimated that there were more than 150,000 in 2015, half coming from abroad, mainly from Europe and Canada.

Through a posture of self-documentation, I recorded the daily life of seasonal workers on a remote plantation, outside of their working hours. They came from France, fed by the stories of the conquest of the West, the beatnik imagination, and the idea of making a fortune to finance another year of travel. They do not aspire to fight against the system but to take advantage of its interstices, creating spaces of freedom in the folds of liberalism.

Two years later, in order to augment the photographs of their experiences in the United States, I produced a series of audiovisual interviews, here presented in the form of text inviting an encounter with the lifestyle of North-North seasonal workers. , within contemporary pastoral America.

Exhibitions

2018 – Fisheye gallery, Paris
2018 – Green Hill gallery, Berlin
2015 – Etemad gallery, Tehran
2013 – Yavuz gallery, Singapore
2013 – Wonderwall gallery, Delhi

PRESS

AWARDS

2018 – Fisheye gallery, Paris
2018 – Fisheye gallery, Paris

CONTACT

appert.jeremy(at)gmail.com

BIOGRAPHY

After a short stint in the advertising industry, then to free myself from it, a long stay among Native American communities (Canada, USA, Guatemala), before living on the streets with young hobos in Victoria, Canada ( Shooting Stars Need Darkness series), I am attentive to alienating forces, whether political, social, economic or technological, that can be exerted on individuals.

It is out of reaction, and out of the need to set myself free, that I have developed several long-term projects where I am interested in the will of men to create spaces of emancipation. With Soleils Intimes, I document the singularity of the bodily expression of the Cuban people. In Marseille, through the series Bleu Infini, I give to feel the act of confrontation with the marine elements, by which groups of young people found their initiation rituals and wash themselves of digital concreteness. Finally in California, I report on a land of promise and disenchantment for Europeans in search of financial freedom (Green Rush series).

Thus, in these movements is based my photographic act, it is part of a need to commune with the other and with nature. Alive, I embrace the sensitive dimension of the world and reveal its sensuality.

Exhibitions

2018 – Fisheye gallery, Paris
2018 – Green Hill gallery, Berlin
2015 – Etemad gallery, Tehran
2013 – Yavuz gallery, Singapore
2013 – Wonderwall gallery, Delhi

PRESS

AWARDS

2018 – Fisheye gallery, Paris
2018 – Fisheye gallery, Paris